P-90s were initially meant to replace Charlie Christian pickups, which were the standard pickups for Gibson hollow bodies. ![]() The Gibson P-90 is a single-coil pickup that has been in production since 1946 and is still being produced today, by Gibson and other companies. ![]() Zig-zag tailpiece (more prevalent from 1957 to 1967) Gibson ES-175 Pickups P-90 Pickups (1949-1956) To achieve its characteristic clarity of tone, the ES-175 is generally played with the volume and tone dialed down a bit to allow it to ring through with its usual warmth. It can be said that the Gibson ES-175 anticipated a new era in jazz history, constantly stretching the boundaries of music into new territories. Its tone is warm and round but also clear and articulate, chiming with a quality that is spacious and airy while also being distinct and bell-like. Though the Gibson ES-175 is associated with jazz greats like Jim Hall, Pat Metheny, and Joe Pass, its versatile tone and ability to take distortion has made it a favorite of fusion and rock guitarists like Steve Howe (Yes) and Buck Dharma who played an ES-175 on Blue Oyster Cult’s classic Don’t Fear the Reaper. ![]() In its nearly 70-year history, the ES-175 has become synonymous with the greats of jazz guitar. The Gibson ES-175 has a recognizable sound that has been imitated by many guitar makers but seldom duplicated. Known as the workhorse of jazz guitar, the Gibson ES-175 is an iconic hollow body electric guitar loved by many legendary guitarists in the worlds of jazz, blues, rock, and fusion.
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